Author of the big sculpture that stands out in the MAGI park, Nado Canuti (Bettolle di Siena, 1929), is bound to Giulio Bargellini since many years and shared with him several experiences also in Africa, as another big works of the collection of the Italian-African collection can attest.
Author of the big sculpture that stands out in the MAGI park, Nado Canuti (Bettolle di Siena, 1929), is bound to Giulio Bargellini since many years and shared with him several experiences also in Africa, as another big works of the collection of the Italian-African collection can attest.
After an extremely precocious debut as a self-taught painter, the artist devoted himself to sculpture since the mid-Seventies, developing a unique language, cleaned from forms of geometric aspiration, but always tense and dynamic in the search for solid joints and composition balances endlessly declined, sometimes dramatic and sometimes harmonic.
His love for different materials – cement, wood, bronze, marble, resin, precious metals – it is expressed in a comprehensive research, which explores all the dimensional scales, from the monumental one of the big public works to the more intimate one of the art jewel.
